Panama City, Panama

I started out on this trip with no expectations, only really wanting to escape to a warm place and away from the huge political changes happening in the United States. I decided to begin in Panama because that’s where a good friend of mine was from (and also visiting for his Christmas vacation). I wanted to work my way up through Central America and figured it would be nice to begin in a place where there was at least one friendly person.

I ended up really liking Panama City. Granted I mostly stayed in the touristy area, the old city area called Casco Viejo. My excursions into the main city reminded me a lot of my home city of Bombay, except with way less pollution. The entire population of Panama is around 3.5 million, a tiny fraction of the 10+ million people in Bombay!



Panama City is quite far from the airport, so you have to take a $35 taxi. There is a bus but it is a little complicated to find it and take it, especially for a non-Spanish speaker. Some hotels offer a cheaper shuttle back to the airport. Taking Uber can lower the cost a bit too.

My taxi driver to the city was very interesting. He was a Venezuelan computer scientist and college professor who had escaped from there with his family. The things he told me about Venezuela and how bad things are getting there were really saddening. I don’t think most of us can fathom what it’s like to live in a fairly stable prosperous country most of our lives and then abruptly have to leave and become a refugee in another country later in life.



I spent a day wandering around Casco Viejo. This was my first time seeing beautiful Colonial architecture with its bright colors, flat roofs and heavy dark wood doors. You can climb to some elevation at the easternmost tip of the area and get a great view of the Pacific Ocean and the modern city skyline across the bay. If you wander a little by the water, you can find some spots where you have the modern city on your left and the contrasting old city to your right. It’s quite a delightful contrast. And if you let yourself reflect on it, quite a bit sobering looking at the shiny skyscrapers towering tall amidst quite a bit of poverty.

A lot of the new looking buildings in Casco Viejo are buildings that have been restored with the colonial facade intact. There still exist old buildings with their original inhabitants so you get to observe the contrast between their lives and that of the shiny touristy places of businesses too. Even more sobering is to look at the old buildings and see the bullet holes, back from the US invasion of Panama in 1989.

A beautiful colonial building in Casco Viejo, Panama

A beautiful colonial building in Casco Viejo, Panama


50 Books By Women Of Color

My challenge for 2015 was to read “50 Books by Women of Color”. Unfortunately, I started the challenge a little late in the year and only managed to read 28. There were a fantastic set of 28 books though. I hope it proves to be a good resource for those who want a reference to great women authors of color. I added the authors’ nationalities and my rating out of five stars.




Anita Desai – The Village By The Sea [Indian] ***
Chimamanda Ngochie Adichie – Half of a Yellow Sun [Nigerian] ***
Chimamanda Ngochie Adichie – Purple Hibiscus [Nigerian] ***
Chimamanda Ngochie Adichie – Americanah [Nigerian] ****
Chimamanda Ngochie Adichie – We Should All Be Feminists [Nigerian] **
Daisy Hernandez – A Cup of Water Under My Bed [Latina, US American] **
Janet Mock – Redefining Realness [Black US American] ****
Jean Rhys – Wide Sargasso Sea [Black British] ***
Imarisha – Octavia’s Brood – Science Fiction Stories From Social Justice [Black US Americans] ***
Kamila Shamsie – Burnt Shadows [Pakistani] ***
Keri Hulme – The Bone People [New Zealand Maori] *
Malala Yousafzai – I am Malala [Pakistani] ***
Maya Angelou – I Know Why the Caged Bird Sings [Black US American] ****
Marie Lu – Legend [Chinese-American] **
Marie Lu – Prodigy [Chinese-American] *
Nnedi Okorafor – Zahrah the Windseeker [Nigerian-American] ****
Nnedi Okorafor – Akata Witch [Nigerian-American] ****
Nnedi Okorafor – Lagoon [Nigerian-American] **
Octavia Butler – Bloodchild [Black US American] *****
Octavia Butler – Kindred [Black US American] *****
Octavia Butler – Lilith’s Brood – Dawn [Black US American] *****
Octavia Butler – Lilith’s Brood – Adulthood Rites [Black US American] *****
Octavia Butler – Parable of the Sower [Black US American] *****
Octavia Butler – Parable of the Talents [Black US American] ****
Octavia Butler – Fledgling [Black US American] ****
Octavia Butler – Bloodchild and Other Stories  [Black US American] *****
Roxane Gay – Bad Feminist [Black US American] ***
Toni Morrison – The Bluest Eye [Black US American] ***
Uzma Aslam Khan – Thinner Than Skin [Pakistani] *****

50 Books By Women Of Color Dec31


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Global Women Who Ride on American Motorcylist

I wrote a guest column about Global Women Who Ride for the November issue of American Motorcyclist magazine. Here it is for those of you who aren’t subscribers.

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Global Women Who Ride on American Motorcylist

Global Women Who Ride on American Motorcylist


Motorcycle Film Festival 2015: Movie Shorts

The world of big budget movies has traditionally had very little to offer motorcycle enthusiasts. Since the inception of cinema, there have been little more than a handful of movies that told our stories or represented motorcyclists accurately. This is why it is so exciting to see that access to affordable cameras, editing software and online distribution has finally driven motorcycling related film making out of the confines of Hollywood studios and into the hands of people who ride and build bikes and understand motorcycling best. We have seen an explosion of independent movies that capture all that motorcycling has to offer.

The Motorcycle Film Festival in New York was started three years ago by riders and film enthusiasts who wanted to showcase these movies and bring the community together for three days of high quality movies, interviews with film makers, and an opportunity to meet other riders in the city. This year’s selection of 35 films featured everything from slick productions with significant sponsor backing to amateur garage flicks. It was especially thrilling to see movies made by and featuring women and people of color, hitherto almost non-existent in popular motorcycling culture.

The 2015 Motorcycle Film Festival (Image depicts a row of motorcycles parked on the street in front of a building with a sign that says Motorcycle Film Festival)

The 2015 Motorcycle Film Festival


These are some of my favorite films from the festival.


The Coast to Coast Relay is a five minute gem of a film about two men riding across England on completely inappropriate vehicles – Montesa Cota 315 trials bikes with 3-liter gas tanks, a top speed of 30 mph, and of course, no seats. They ride from Newcastle upon Tyne to the Irish Sea through rough single track trails, logging roads and frozen snowscapes with minimal gear – handlebar mounted packs, backpacks, and a homemade selfie stick.  They take in their stride the various mishaps they encounter, ranging from overheated engines and flat tires to the inevitable running out of fuel.

The fun, upbeat score and the self-deprecating humor makes it impossible to watch this movie without a big smile on your face. By the time it’s done, you want to grab your bike and go have a micro-adventure of your own. Filmmaker Greg Villalobos truly knows how to say more with less as he hits the magic formula to portray the joy of riding and having fun with your buddies. The movie took home the prize for the Best Short Documentary, and deservedly so.

If you enjoyed watching that, check out this interview with the filmmaker Greg Villalobos, where he talks about the making of the movie:

Follow Greg Villalobos’ work at:


“Don’t assume that because people are older than you, they’re going to be slower than you.” This line from 50 Years of Kicks summarizes the message of this twenty minute documentary. The movie follows 60+ year old dirt riders Paul Rodden and Larry Murray from Oklahoma and Ontario respectively. Each of them have almost fifty years of riding experience and many enduro championship wins, which comes across when you see them tearing through ruts, sand, mud, water crossings and hill climbs on their KTMs. They fall, drop their bikes, pick them back up and keep going.

They reflect back to the old days when Husqvarna manuals dedicated half their space to physical conditioning in the rider, paving the way for good workout habits that stayed with them for a lifetime. Habits that served them well in one of the most physical demanding sports there is, especially as your body ages and you lose core strength and balance. During one sober recollection, they talk about a close friend who died of a heart attack while riding on the trails with them. And of that being the best possible way to go – with a smile on your face minutes ago while doing what you loved best.

Motorcycling media tends to focus on young riders as their core target demographic. This leaves us bereft of older role models. It is harder for us to envision riding when we hit a certain age because we see nobody else doing it and doing it well. That’s what makes this movie especially important. It drives home the fact that we don’t have to give up our passion as we age. Here’s hoping that 50 Years leads to more positive representations of old folks riding their bikes and showing the youngsters how it’s done.

Filmmakers: Anthony Kerr and Dallas Shannon
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Motorcycle Movies: Dirtbag II: The Return of the Rattler

The premise of The Return of the Rattler is simple. Four men decide to participate in the Dirtbag Challenge held annually in the San Francisco Bay Area. The challenge involves building a chopper in one month for less than $1000. It needs to be a rideable machine that can run at least 100 miles without breaking down. They have a Yamaha XS650 to work with – the Rattler from the title – but they are complete novices to building choppers, with no prior experience with welding or fabrication. What could go wrong?

The movie is a riot of laughter as you watch the bike evolve from design to final assembly. Our protagonists cuss and laugh their way through all the unanticipated problems they run into. You laugh with them as they mess up, but you also see them learning from their mistakes, thinking through problems and asking for help when they are stuck. Somewhere down the line, you realize that they have passed on to you the secret to creating anything new.

Film maker Paolo Asuncion likens the process of building the bike to his own journey of questioning the belief system he grew up with. “I was put together a certain way but the stock parts didn’t work for me anymore.” he says. As with the Rattler, he had to figure out which parts of that system to keep, which ones needed to be swapped out with something different, and which ones needed to be created from scratch. Moments of reflection like these are interspersed throughout the movie, breaking up the laugh-a-minute ride and keeping it grounded.

You also get to see builds from other participants in the challenge – a Honda CM400 with modified beer bottles for headlamps, a 750 Monster with a girder front end – and understand how much the end vision can vary between builders. The one thing they have in common though is that they want their bike to be like nothing else out on the road. They talk about how satisfying it felt to build something real and tangible, and to ride something that they built with their own hands. Their firm belief is that “Anybody can do this.” By the end of the movie you start to believe them.

This is a movie with soul. You laugh, you learn, you grow, and you come away thinking it’s time to go get a project bike and start wrenching. All you need is a vision, a garage, and a buddy or two by your side.



Read an interview with film maker Paolo Asuncion: